/image%2F1230432%2F20240303%2Fob_c69251_1280.gif)
/image%2F1230432%2F20240302%2Fob_e9fd85_disque-copy.jpg)
/image%2F1230432%2F20240302%2Fob_e48cec_interviews.jpg)
/image%2F1230432%2F20240302%2Fob_70c886_concerts.jpg)
/image%2F1230432%2F20240302%2Fob_1d8d17_disques.jpg)
/image%2F1230432%2F20240303%2Fob_9de6e6_livres-logo.jpg){kind=logo}
/image%2F1230432%2F20240302%2Fob_45a655_films.jpg)
/image%2F1230432%2F20240303%2Fob_78eeb7_en-librairie-logo.jpg){kind=logo}
/image%2F1230432%2F20240414%2Fob_8eca8d_ff-recto.jpg)
/image%2F1230432%2F20240302%2Fob_8c09bc_sonic-youth.jpg)
/image%2F1230432%2F20240302%2Fob_ae09ee_screenshot-2024-03-02-at-17-15-20-guil.png)
/image%2F1230432%2F20240302%2Fob_76cbf0_couv-grisli.jpg)
10 août 2010
John Cage : Melodies & Harmonies (Col Legno, 2010)
/http%3A%2F%2Fstorage.canalblog.com%2F07%2F73%2F335931%2F55631795.gif)
Annelie Gahl (violon) et Klaus Lang (Fender Rhodes) ont eu l’idée étrange et séduisante de mêler les Melodies et les Harmonies que John Cage écrivit en 1950 pour les premières et en 1985 pour les secondes. Crime de lèse-Cagesté ? Non. Tout simplement...
/image%2F1230432%2F20240303%2Fob_a651dd_le-son-du-zombie-effect.jpg)
/image%2F1230432%2F20241218%2Fob_5d5931_9780520382084.jpg)
/image%2F1230432%2F20241203%2Fob_f6c9e6_cover-lp-flee-006-athos.jpg)
/image%2F1230432%2F20241105%2Fob_66e86e_connection-ribot.jpg)
/image%2F1230432%2F20240925%2Fob_6f109c_air-1-2.jpg)
/image%2F1230432%2F20240831%2Fob_0b05ae_recadree5.jpg)
/image%2F1230432%2F20240302%2Fob_24ec21_20-guitare-jazz.jpg)